Minor Light | 2026
This body of work explores perception as a slow, active process rather than an immediate exchange between image and viewer.
Contrast is deliberately withheld. High contrast resolves an image too quickly — it reveals everything at once. Subtlety does the opposite: it prolongs perception, keeping the eye searching, adjusting, and remaining present with the work.
These paintings do not announce themselves. They may even be overlooked entirely, and that possibility forms part of their meaning. What emerges, emerges only through sustained attention.
The experience is closer to standing in a darkened room than to viewing an image. At first, nothing appears. Then, gradually, forms begin to surface — not through clarity, but through attention.
